Sunday, February 12, 2017

2017 Lincoln Prize winners announced

The 2017 Gilder Lehrman Lincoln Prize will be awarded to two recipients this year: James B. Conroy, author of Lincoln’s White House: The People’s House in Wartime (Rowman and Littlefield), and Douglas R. Egerton, author of Thunder at the Gates: The Black Civil War Regiments That Redeemed America (Basic Books).
Both Conroy and Egerton will be recognized during an event hosted by Gettysburg College and the Gilder Lehrman Institute of American History at the Union League Club in New York City on Wednesday, April 19. The authors, who will split a $50,000 prize, will each receive a bronze replica of Augustus Saint-Gaudens' life-size bust “Lincoln the Man.”
Read the complete press release here. 

Wednesday, February 08, 2017

"Vicksburg is the key!" — Tour set for March 31-April 2

The Campaign and Battles for Vicksburg: 
an in-depth, multi-day tour with Terry Winschel

March 31–April 2, 2017

ITINERARY:
Friday, March 31: 8:00-4:00 — We will make stops at Louisiana Circle to set the stage and talk about the Naval Siege of Vicksburg. We'll then drive north through Vicksburg, past the Warren County Courthouse, Pemberton's Headquarters, and various river battery sites to the Cairo Museum (we will stop there on Sunday), and out to Chickasaw Bayou Battlefield. From there we will proceed across the river to the Williams-Grant's Canal to talk about the Bayou Expeditions and the march south through Louisiana. After lunch we will visit Grand Gulf and Port Gibson battlefields.
Saturday, April 1: 8:00-4:00 — We will first go to Champion Hill and Big Black River Bridge battlefields. After lunch in Vicksburg we will tour the Union siege lines around the city making stops at key sites as time permits.
Sunday, April 2: (1/2 day) We will go to the Cairo Museum and spend the remainder of the morning touring the Confederate defense line making  stops at Stockade Redan and Railroad Redoubt. We'll adjourn around mid-day.

visit my WHT page for all the details 


Saturday, January 14, 2017

Balls Bluff Battlefield Expansion

Interior Secretary Approves Massive Expansion of Balls Bluff Battlefield Landmark

U.S. Interior Secretary Sally Jewell yesterday announced her approval of the expansion of the Balls Bluff Battlefield National Historic Landmark near Leesburg.
The expansion is significant. It increases the battlefield landmark from 76 acres to more than 3,300 acres on both sides of the Potomac River and includes Harrison Island.
The news was especially welcomed by the Loudoun County Heritage Commission, which initiated the project five years ago. Prominent in the effort were former Chairman Bill Wilkin, aided by members Mitch Diamond, Lori Kimball, Childs Burden, former member W. Brown Morton III, advisor Jim Morgan and Loudoun County Preservation Planner Heidi Siebentritt.
Read complete article at LoudounNow

Tuesday, December 27, 2016

Decision at Tom’s Brook: George Custer, Tom Rosser, and the Joy of the Fight, by William J. Miller











Reprinted from
annual Books issue 
(November 2016)

Decision at Tom’s Brook: 
George Custer, Tom Rosser,
and the 
Joy of the Fight

by William J. Miller 
(Savas Beatie, 2016)
—visit the author's website


Above, George Custer, Library of Congress;
below, Thomas Rosser, American Civil War Museum



Civil War Trust's downloadable
map of the Battle of Tom's Brook



The Civil War Trust page
on Tom's Brook (overview,
facts and resources).

Civil War News book review page

Thursday, December 08, 2016

In Volcano, California, a 737-pound brass cannon named "Old Abe" played a pivotal role in ending a secession movement in 1860s California


From the San Luis Obispo Tribune
July 4, 2015 — Dan Krieger - Special to The Tribune
'Old Abe' versus rebels in California's Gold Rush towns
A 737-pound brass cannon named Old Abe played a pivotal role in ending a secession movement in 1860s California with some strategic window breaking.

"A pro-Union group, “the Volcano Blues,” petitioned the arsenal in Benicia for some artillery. All that could be spared was a 737-pound, Boston-manufactured brass cannon from the Mexican era. It fired a 6-pound ball and could do a great deal of damage to the quickly built wooden structures in Volcano. The gun was transported by riverboat to the Carson Pass road and smuggled into town. It was renamed “Old Abe” and mounted on a movable wooden carriage."

Read the full article about Old Abe here

Below, an image of Old Abe in the Library of Congress, dated April, 1940:

According to this Western Mining History website, Old Abe has a brother at Shiloh. I'll need to check with the NPS about that:

"The cannon was cast by Cyrus Alger & Co. in Boston in 1837 and is the first of two 6-pounders made on the same day to be stamped with serial number 4. The cannon was never fired. The other cannon still survives at Shiloh Battlefield and is called "Shiloh Sam". Abe is the only cannon of that age in the U.S. still on a nineteenth century wooden carriage, and has had an interesting history all on its own."


Sunday, November 13, 2016

Remembering the USS Tulip, a Civil War icon


St. Inigoes, MD - It’s been 152 years since the November night when the USS Tulip, serving in the American Civil War—among other things patrolling the Potomac River in search of blockade runners—headed up the river for boiler repairs. The ship never made it to the Anacosta Navy Yard in Washington, D.C.
Just off Piney Point in St. Mary’s County and Raggedy Point in Virginia, the boiler blew Nov. 11, 1864. The ensuing explosion ripped the ship apart, claiming 49 lives in the process.
On a crisp morning in St. Inigoes Friday, Nov. 4, the U.S. Navy paid tribute to those lost in the disaster.
[from BayNet.com: read the full article here]

Friday, November 11, 2016

"Dawn Before Gettysburg" (1938), by Edward Hopper



[Veteran's Day Facebook Post, November 11, 2016]
On this Veteran's Day we wanted to share Edward Hopper's painting "Dawn before Gettysburg" (1938). It belongs to the Tuscaloosa Museum of Art in Alabama, where it is shown in the Civil War Gallery.

Hopper calls up the memory of the bloodiest battle that took place in the Civil War. Fifty-one thousand men lost their lives, almost a third of the men who participated. Hopper does not create a violent bloody scene, but conveys to the viewer a great feeling of anticipation. Nine soldiers are seated on a grassy bank along a dirt road in front of a white house trimmed in blue with a white picket fence. The tenth soldier stands looking off into the distance. 

There is stillness in the air as the sun begins to rise. Each man is engaged in some activity, one is tying his shoe, and another has fallen asleep.