Reflections, observations, random thoughts and bon mots, relating to the literary and geographic landscapes of American history. And book reviews too.
Saturday, June 29, 2013
When I think baseball, I think Custer bobblehead
The first 1,000 fans through the turnstile at tonight's Hagerstown, Maryland Suns game (Class A farm team for the Washington Nationals), get to take home a George Custer bobblehead. It seems a peculiar choice, but not to Hagerstown Visitor's Bureau president Thomas Riford, who calls Custer a "folk hero" in those parts. The promotion is not being well received by the staff and readers of Indian Country Today.
Tuesday, June 25, 2013
Prison Times, volume one, number one
From Slate.com's, "The Vault," comes this rare gem:
"Confederate prisoners of war confined at Fort Delaware produced this newspaper by hand in 1865. The New York Historical Society holds one of four surviving copies, each of which was likely passed around and read by multiple prisoners. The paper numbers four pages in total."
"Confederate prisoners of war confined at Fort Delaware produced this newspaper by hand in 1865. The New York Historical Society holds one of four surviving copies, each of which was likely passed around and read by multiple prisoners. The paper numbers four pages in total."
Saturday, June 22, 2013
Pilgrimage to the Greasy Grass
Friday night, with the Friends of the Little Bighorn Battlefield, we had the amazing opportunity to get off the trails and walk cross-country with Dr. Douglas Scott, one of the principal archaeologists who worked the field beginning in 1984 and on and off again until about 2011. We traversed much of Greasy Grass Ridge, followed Calhoun Coulee for a good distance, and then climbed down into Deep Ravine. Back at the hotel, Anne found three ticks on her person, but I lucked out in that department. In the photo above, Scott is discussing the remains discovered at marker 128—named "Trooper Mike" because he was in section M of the archeological grid. His was the most complete skeleton found on this part of the field, and he died a very violent death.
Two days before I had just finished reading Scott's newest book, a more reader-friendly summary of previous dig reports (published by the University of Oklahoma Press and funded by the Friends), so this expedition was especially fascinating.
The weather during this year's visit was dramatically different than it was in June of 2012. Then it was broiling hot, and the landscape brown (similar to what I imagine it was in June of 1876). This weekend, temperatures were pleasant, even a little cold, with occasional showers and lush green the world over.
Whatever the weather, the Little Bighorn is one of the most beautiful, haunting, and somber battlegrounds in America. I'll post a 2013 photo gallery shortly.
Wednesday, June 19, 2013
==============
Shortly after the D-Day invasion on June 6, 1944, two Frenchmen on bicycles managed to cross the perimeter of the United States Army’s 23rd Headquarters Special Troops and what they saw astounded them. Four American soldiers had picked up a 40-ton Sherman tank and were turning it in place. Soldier Arthur Shilstone says, “They looked at me, and they were looking for answers, and I finally said: ‘The Americans are very strong.’”
===============The passage above is the opening paragraph of an interesting article at Smithsonian.com, discussing the recently broadcast documentary, The Ghost Army. You can read the article here: When an Army of Artists Fooled Hitler.
The show aired on May 21, and DVDs are for sale, but it doesn't appear to be available for streaming yet. Here's the documentary website.
Of course the first thing I thought of upon reading this were the so-called "Quaker Guns" of the Civil War era, though the WWII subterfuge is exponentially more elaborate. Civil War Quaker Guns were logs painted black to resemble artillery pieces, intended to fool the enemy into thinking fortifications were still occupied. Most famous, perhaps, was Joe Johnston's use of Quaker Guns at Centreville in March, 1862, to help mask his army's movement toward the Rappahannock River. The use of Quaker Guns in this country predates the Civil War, however. Lieutenant Colonel William Washington, George Washington's 2nd cousin once removed, used the trick to good effect against Loyalists in South Carolina in 1780.
[Below: Quaker Gun, Centreville, Virginia. Library of Congress Civil War glass negative collection.]
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Monday, June 17, 2013
High-tech methods used to conserve big guns that fired on Fort Sumter, opening US Civil War
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| (Photo: AP/Bruce Smith) |
"Ten massive guns from Fort Moultrie on Sullivans Island, which is part of the Fort Sumter National Monument, were recently conserved as part of an ongoing program to protect the historic pieces from the salty, humid air. The guns were cast in foundries both in the North and South a century and a half ago.
The last of the guns, a 7-ton Union rifled Parrott gun suspended in a yellow sling held by a crane, was slowly jockeyed into place onto a new concrete base last week. It completes what the fort refers to as Cannon Row, where seven of the heavy guns are lined up next to each other."
Read the full Montreal Gazette story here.
Thursday, May 30, 2013
Book Review: Shiloh, 1862, by Winston Groom
Though Winston Groom’s latest contribution to the
Civil War bookshelf is well written and engaging, I am hard-pressed to think of
a reader to whom I would recommend it. I hope my critique doesn’t come across
as nitpicking—I’ve seen other reviews of this book that found it perfectly
satisfactory. When one jumps into the Civil War arena, there is a lot of
literature that one must necessarily stack up against, whatever the particular
subject. I promised to review this book and am finally making good.
Groom, best known as the author of Forrest Gump, is a skilled story-teller,
and the clash of armies in southwestern Tennessee in April, 1862—officered by a
host of major figures in the Civil War—provides much fodder to tell a tale. But
the audience for this type of work is difficult for me to pin down.
Many students of the Civil War began to develop
their interests in the subject matter through exposure to the captivating prose
of amateur historians Bruce Catton and Shelby Foote. Those two icons of Civil
War historiography are given a pass for writing "popular" history—particularly Foote, when it comes to the lack of citations—because their contribution to the literature is historic and pervasive, and
beautifully written (that’s how I rationalize it). Groom, who has also written on
the Vicksburg Campaign, Hood’s final campaign in Tennessee, and other American
history topics (none of which I have or will now read), has chosen, like Foote, to forego
citations as well, and though his work appears to be generally accurate, and
his research not inconsiderable, the lack of sources takes away the book’s
usefulness. I guess I’m saying that Catton and Foote got the last two passes on the popular history front.
To many readers, that quality of usefulness is the only reason to invest
time in reading another book on Shiloh. Compounding the problem is the author’s
decision to remove ellipses and alter punctuation from certain direct quotes in
order to make the language more “readable” (which specific quotes and what
specific punctuation is unknown). I’m sure these were harmless changes, and he
assures us that he did not change the meaning of any quote, but in nonfiction,
can’t we just agree to stick to accepted conventions? Aren’t you obligated to
do so when you put quotation marks in your text?
Groom’s effort to place the battle of Shiloh in
context is admirable, but overreaching. Background on the war and secession,
and biographies of major players, takes up the first 200 pages of the book
before the battle is joined. The first day’s fighting is then detailed in about
140 pages, while the second day is dispatched in under 10 (all Shiloh authors
seem to hurry through the second day, but Groom treats it like a footnote. Or
he would, if he used footnotes).
There are some quirky aspects to the text that I
would describe as editorial lapses. For instance, in summarizing the combat significance
of Shiloh, Groom tells us of men such as Grant, Sherman, McPherson, and Forrest,
“each got his start at Shiloh” (p. 12), yet the book's biographical sketches of those
same officers outline their earlier exposures to combat, Sherman at First Bull
Run, the rest at Fort Donelson and other battles. Virtually all authors writing
on Shiloh will point out the shocking fact that the casualties in that battle alone
exceeded the total of all previous American wars combined, going back to the
Revolution. Groom likes that observation so much he offered it twice—at the
beginning, and at the end—both times italicizing the word “combined” for
emphasis. In one instance Groom proclaims that the Union scored victories at
Vicksburg and Gettysburg on the same "day" [emphasis by Groom],
July 4, while later pointing out, correctly, that Gettysburg ended on July 3.
Of Grant, Groom comments that Shiloh was the
“first, and essentially, the last time Grant was ever surprised in battle,” but
I would argue that the earlier Confederate counterattack at Belmont counts.
Likewise, I’d wager that Grant was a little surprised by the initial assault in
the Wilderness in May of 1864, and at Fort Stedman a year later.
Distractions like that—passing comments that
caused me to pause and think, “huh?”—made this book disappointing and difficult
to finish. After the 9-page accounting of the April 7 fighting, Groom tackles
the April 8 Battle of Fallen Timbers (the other
Battle of Fallen Timbers), really a skirmish, when Sherman made a
reconnaissance to determine whether the Confederates had really retreated, or
were reassembling to continue the fight. The way Groom relates the story, after
the fighting at Shiloh, Grant was “content to pant and bleed and lick his
wounds,” and happy to “let the loser slink off. . .” But Sherman, he says,
“wasn’t buying it,” and put together a force to pursue the enemy. Groom seems
unaware that Sherman was acting under orders from Grant. Or, if aware, made
misleading intimations for dramatic effect. [Fascinating interview with Shiloh
historian Stacy Allen on Fallen Timbers] It also bears mentioning that Grant was under orders from Halleck not to bring on another general engagement, but rather to stand pat and await instructions.
Groom wrote about Grant being called ea st by
Lincoln, saying that after that, “It took nearly two more bloodstained years,
but Grant finally laid siege to and subdued the Rebel army near Richmond.” Of
course, in actuality, Grant wasn’t called east until March of 1864 and laid
siege to Lee’s army around three months later. Lee surrendered barely more than
one year after Grant’s arrival in Virginia.
In a peculiar admission, the author tells us that
a description of Grant that he published in his Vicksburg book was so apt, he
recycled it word-for-word in his Shiloh book. I suppose that kind of
self-plagiarism would be considered Fair Use, though he’s not quoting his
earlier work, he’s literally reusing a sentence from another publisher’s book. [A
quick glance at the biographical passages on Grant and Sherman in Groom’s
Vicksburg book reveals that Groom borrowed liberally from that earlier work
when introducing some of the same figures, with some rearranging or minor
modification of phrases.]
Happily, Groom included an Order of Battle, and a
bibliography, making it seem like a book that wants to be taken seriously. The
bibliography is respectable, though lacking in manuscript collections, and in
his “Notes on Sources”, Groom rightfully holds up the Official Records as the backbone of his research. I was surprised
to see a couple books that one wouldn’t ordinarily find listed in a Civil War
bibliography (padding?): Burke Davis’s, The Civil War: Strange and Fascinating Facts, and Web Garrison’s, Curiosities of the Civil War: Strange
Stories, Infamous Characters, and Bizarre Events. And though Groom lists
works by Tim Smith, including an “America’s Civil War” article on “Battle of
Shiloh: Shattering Myths,” it doesn’t appear that he consulted it, or took it
to heart. One of the foremost Shiloh “myths” dispelled by Smith, a historian
and former staff member at Shiloh National Military Park, is the notion that
when Grant first arrived at Pittsburg Landing, having steamed up river from his
Savannah headquarters, thousands of Union troops—routed on the battlefield—were
seeking refuge under the banks of the river (according to Smith, Prentiss's and Sherman's divisions frontline divisions did not break until after 9:00 a.m., around the time Grant arrived at the landing—read about that and other Shiloh "myths" here). Groom perpetuates that idea: “the entire
slope from brow to basin was thronged with thousands of panic-stricken shirkers
and stragglers who were cowering beneath the cover of the bluff. . .” Groom
even muses that Grant “seemed to exhibit a rare sort of sympathy toward them. .
.” Would love to see the cite for that one. [Historian Larry Daniel reports in his history of Shiloh that around 3,000 routed soldiers were at the landing when Grant arrived; Wiley Sword makes no mention of it. Both Daniel and Sword estimate Grant arrived at Pittsburg Landing around 9:00 a.m., while Grant's Chief-of-Staff John Rawlins, wrote that he arrived at 8:00 a.m. General Prentiss reported that his division did not begin to fall back from its initial position until 9:05, which squares with Sherman's report as well.]
Near the end of Groom's Shiloh study, he indulges in a few counterfactual musings just as, he oddly asserts, most professional historians do: "it is interesting to play the 'what-if' game, which most trained historians scoff at as a nonhistorical pursuit, usually just before they indulge in it themselves." For Groom, Shiloh may be most significant because if Beauregard had won the battle, Grant and Sherman would not have ascended as they did, and Lincoln would have had to find someone else to oppose Robert E. Lee in the East, someone who would invariably make a colossal mistake, leading to Lincoln's defeat in the 1864 election. I'm trying to think of some trained historians who go to such lengths. This kind of conjecture is utterly pointless, of course, but perhaps the natural domain of a novelist.
One thing I do appreciate about Groom is his focus on the Western Theatre. The wide distribution of his published works may serve to inform the public at-large that the war didn’t just occur in Virginia and Pennsylvania. For readers with a serious interest, however, it’s best to stick with the more reliable books on the subject, all thoroughly documented: Wiley Sword’s, Shiloh: Bloody April (Groom lists the 1974 first edition, not Sword's revised and improved 2001 edition), Larry Daniel’s, Shiloh: The Battle that Changed the Civil War, Cunningham’s, Shiloh and the Western Campaign of 1862, Tim Smith’s, The Untold Story of Shiloh: the Battle and the Battlefield, D. W. Reed’s, The Battle of Shiloh and the Organizations Engaged, and Mark Grimsley’s and Steven Woodworth’s, Shiloh, A Battlefield Guide—to name a handful.
Near the end of Groom's Shiloh study, he indulges in a few counterfactual musings just as, he oddly asserts, most professional historians do: "it is interesting to play the 'what-if' game, which most trained historians scoff at as a nonhistorical pursuit, usually just before they indulge in it themselves." For Groom, Shiloh may be most significant because if Beauregard had won the battle, Grant and Sherman would not have ascended as they did, and Lincoln would have had to find someone else to oppose Robert E. Lee in the East, someone who would invariably make a colossal mistake, leading to Lincoln's defeat in the 1864 election. I'm trying to think of some trained historians who go to such lengths. This kind of conjecture is utterly pointless, of course, but perhaps the natural domain of a novelist.
One thing I do appreciate about Groom is his focus on the Western Theatre. The wide distribution of his published works may serve to inform the public at-large that the war didn’t just occur in Virginia and Pennsylvania. For readers with a serious interest, however, it’s best to stick with the more reliable books on the subject, all thoroughly documented: Wiley Sword’s, Shiloh: Bloody April (Groom lists the 1974 first edition, not Sword's revised and improved 2001 edition), Larry Daniel’s, Shiloh: The Battle that Changed the Civil War, Cunningham’s, Shiloh and the Western Campaign of 1862, Tim Smith’s, The Untold Story of Shiloh: the Battle and the Battlefield, D. W. Reed’s, The Battle of Shiloh and the Organizations Engaged, and Mark Grimsley’s and Steven Woodworth’s, Shiloh, A Battlefield Guide—to name a handful.
Monday, May 27, 2013
Thursday, May 23, 2013
"Rebel" -- the saga of Loreta Velazquez airing May 24 on your local Public Broadcasting Station
I’ll
be tuning in Friday night for the airing of an intriguing PBS documentary,
Rebel, about the life of Loreta Velazquez. A Cuban
immigrant who came to New Orleans as a young girl, Velazquez reputedly
disguised herself as a man, took the name Harry T. Buford, and saw action as a
Confederate soldier in a number of campaigns. If her published reminisces are
to be believed, she was also wounded on multiple occasions – once at Shiloh -- and
served as a double-agent for both the Union and the Confederacy.
Her story – relayed in her 1876 memoir, The Woman in Battle,
The Civil War Narrative of Loreta Velazquez, Cuban Woman and Confederate
Soldier – is so incredible,
historians for the most part have dismissed it as fictionalized, or
exaggerated. More recent scholarship on the participation of women in the Civil
War, however, has corroborated parts of Velazquez’s account, and makes
revisiting her narrative especially tantalizing. The book is partially
previewed on Google books, and the University of Wisconsin Press released a
paperback in 2003 that is still in print.
Most interesting to me are the other ways in which Velazquez
was a “rebel” – her book was scandalous for the time, denounced by Jubal Early
as pure fabrication. Her version of events failed to adhere to the “Moonlight and
Magnolias” construction of Lost Cause apologists, who sought to disassociate slavery
from secession and war. Worse, she called into question the gentility of Southern
women and the heroism of the Southern soldier. The fact that Jubal Early later engaged in a letter writing campaign to discredit Velazquez’s account suggests to me that she was cutting close to the bone in a way that Reconstruction-era
former Confederates could not tolerate.
Even if some of her story is made up, or cannot be confirmed,
it’s a story worth telling. According to the filmmaker, Maria Agui Carter,
Velazquez was one of only two Latina authors published in the United States
in the 19th century. Said
Carter in a blogged interview, “Her voice sounded so modern—here was a Victorian-era woman who made no
apologies about breaking every gender, social, and ethnic boundary. There was
something about her maverick nature and her constant reinvention that seemed
quintessentially American to me."
Suffice it
to say, if this program were airing on the History Channel, it would probably
not bear watching. The dramatization alone would make it painful to behold. But PBS
typically does a top notch job, and for this work Carter enlisted a host of venerable historians to
weigh in -- people like Gary Gallagher at the University of Virginia, and DeAnne
Blanton, the senior military archivist at the National Archives, as well
numerous authorities on Latino Studies, Chicano Literature, and women in the
war.
Wednesday, May 22, 2013
150 years ago -- the May 22nd assaults at Vicksburg
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| Assault on the Great Redoubt Ranger Will Wilson describes the Union position at Battery de Golyer on the morning on May 22, 1863 More pictures here. |
Friday, May 17, 2013
Andersonville National Historic Site
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| Bronze panel on the rear of the New York Monument. |
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| Alan Huffman wrote an excellent book chronicling, in part, the Civil War saga of Anne's great grandfather. |
Interpreting the site for us was historian Kevin Frye, who has devoted countless hours to helping people research the prisoners, and guards, assigned to Camp Sumter. A considerable number of passengers on the Sultana had been held at Andersonville. Anne's ancestor, who survived the disaster, was held at Cahaba prison in Alabama, though apparently some records do list him as spending time at Andersonville (we think erroneously).
Like so many battlefields, the pastoral scene at Andersonville today, a rural expanse of green, with birds chirping in the pleasant spring weather, presents the visitor with little sense of the abject misery and horrors of the Civil War-era stockade.
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| One of Thomas O'Dea's drawings of the prison in 1864. See a full set of his prison drawings here. |
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| Issuing rations, Andersonville Prison, Georgia, August 17, 1864. Photo by A. J. Riddle (click to enlarge) |
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| Kevin Frye telling the story of the prison |
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| Partial reconstruction of the stockade |
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| The "Sinks" — downstream end of Stockade Branch |
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| For reasons lost to history, the stone of Sgt. L. S. Tuttle of Maine has a stone dove affixed to it, the only grave in the National Cemetery with a special adornment. |
Sunday, May 05, 2013
Dave the Slave, up close and personal
Back in November of 2009, I posted an interview with author Leonard Todd, discussing the subject of his book, Carolina Clay, the Life and Legend of Slave Potter Dave. The book is a fascinating account of Todd's discovery that one particularly skilled South Carolina potter was a slave owned by members of his family. He did not know that when he first read about an exhibition of Dave's work in a New York Times article in January of 2000.
From the interview, which can be read here, Todd explained:
It was tremendously exciting to turn a corner and see a display of local pottery, inscribed by the potters. I was hoping Dave's work would be featured, and sure enough, it was. . . It's a great museum—set aside some time to visit, if you have the opportunity.
From the interview, which can be read here, Todd explained:
That moment of discovery was like finding a door flung wide to the past: Through it, I could glimpse a complex world of clay and kilns and pottery workers—that I had known nothing of. I was pleased to find that I was linked to Dave, one of the south's great artisans, yet dismayed that slavery was the mechanism that connected us.Flash forward to the year 2013. I had forgotten that certain examples of Dave's pottery were on display in select museums. At the time I read Todd's book, and interviewed him, I had no plans to travel to South Carolina, a state I had never visited until last month when the Civil War Forum held its 17th Battlefield Conference in Charleston. One of the stops on the first day of our gathering was a tour of the Civil War collection at the Charleston Museum, the oldest museum in America.
It was tremendously exciting to turn a corner and see a display of local pottery, inscribed by the potters. I was hoping Dave's work would be featured, and sure enough, it was. . . It's a great museum—set aside some time to visit, if you have the opportunity.
Monday, April 15, 2013
Charleston 2013 Reunion: Day Four
Saturday, April 13, 2013
Charleston 2013 Reunion: Day Three
Friday, April 12, 2013
Charleston 2013 Reunion: Day Two
Charleston 2013 Reunion: Day One
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| Major Steven Smith at the H.M.S. Seraph Memorial, Citadel Campus |
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| Clay pot by "Dave the Slave," Charleston Museum. See this earlier blog post. |
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| Grahame Long, Curator of History, at the oldest museum in the United States. |
Thursday, April 11, 2013
Tuesday, April 02, 2013
Photography and the American Civil War
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[Captain Charles A. and Sergeant John M. Hawkins, Company E, "Tom Cobb Infantry," Thirty-eigth Regiment, Georgia Volunteer Infantry] |
More than two hundred of the finest and most poignant photographs of the American Civil War have been brought together for this landmark exhibition. Through examples drawn from the Metropolitan's celebrated holdings of this material, complemented by important loans from public and private collections, the exhibition will examine the evolving role of the camera during the nation's bloodiest war. The "War between the States" was the great test of the young Republic's commitment to its founding precepts; it was also a watershed in photographic history. The camera recorded from beginning to end the heartbreaking narrative of the epic four-year war (1861–1865) in which 750,000 lives were lost. This traveling exhibition will explore, through photography, the full pathos of the brutal conflict that, after 150 years, still looms large in the American public's imagination.
Thursday, March 14, 2013
Luray Caverns
Amazingly, the third-most visited cave in the United States, after Mammoth, and Carlsbad. An interesting Washington Post Magazine article can be read here.
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